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艺术家档案, 2016.10.03 Mon, by

Re-Presenting Martin Wong: Memories of a Not-So-Distant Past

Martin Wong was a storyteller, often prefacing descriptions of his works with quips like “There’s a long story to this painting,” before going into versions of his autobiographical account of the details behind the scenes he’d craft. >> Read more
艺术家档案, 2016.08.30 Tue, by

Contemporary Istanbul, 11th edition, 3 – 6 November 2016

After being encouraged by its exhibitors, collectors and curators, Contemporary Istanbul, the region’s leading art fair’s 11th edition is still planned to take place from 3 - 6 November 2016 with a Preview Day on 2 November. >> Read more
艺术家档案, 2016.01.12 Tue, by

Vietnam’s Guerilla Kunsthalle—
Interview with Zoe Butt
Director of Sàn Art

For most, Vietnam is an idea formed, since the beginning of the twentieth century, by a foreigner’s idea of the foreign, rather more than by its residents. >> Read more
艺术家档案, 2014.09.03 Wed, by

Minsheng and AICA Announce IAAC

AICA (the International Association of Art Critics) and Shanghai Minsheng Museum have announced a new annual prize.
 
 
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Think, 2014.01.30 Thu, by

Reining in Ink Art: Revivalism in the Year of the Serpent

Much as the Beijing winter has been very mild this year, overall, the art of the past year has also felt rather milder and more sentimental from previous years. Let us then explore the production and exhibition of this “old” contemporary art in the contemporary Chinese art world. >> Read more
Think, 2014.01.24 Fri, by

Art Stage & Singapore Art Week report card

Dear Mr & Mrs Singapore: Your children, Art Stage and Biennale, have successfully completed the year and may enter the next class. Here is our report card. They are performing stronger but still have some work to do.
 
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History & Theory, 2009.03.09 Mon, by

Spheres of Influence

The Westerners are skilled in geometry, and consequently there is no the slightest mistake in their way of rendering light and shade [yang-yin] and distance (near and far). When they paint houses on a wall people are tempted to walk into them . . . Students of painting may well take over one or two points from them to make their own paintings more attractive to the eye. >> Read more